Fleetwood Library

Composite of Images from my Instagram Account.

For the whole of July all my new work is at Fleetwood Library.  I grew up in Fleetwood and I remember using the library there when it was brand new, and I am happy to have a show there.  Please go along and see the show, all of the new work is based on drawing and pictures I made in Fleetwood over the past few months.

Sneak Preview - Earthenware Pottery

Took a few pictures as I unloaded the kiln, and I refilled it too, only trouble is I forgot to put one last mug in, so it will have to be bisque fired with the stoneware pots I have waiting to be fired. I have decided I want to up my game when it comes to my photography after reading quite a few articles and looking back at my photographs, it can only be for the better.

Contents of the kiln after the earthenware glaze firing

I have a busy few days so I won't be taking photographs of individual pots for a few days, are there any in particular people would like to see?

Inspiration Part 2ii - The Design Drawings.

As I mentioned in a Previous Post I want quite a small range of pots, with a few different sizes to make kiln firings as economical as possible, to use up the space effectively.  I don't want to make too many forms as I would rather 6 well made forms than 10 or so badly made different sorts of pots.

When I first started looking at doing it I thought about doing some stacking bowl forms of varying sizes but I might work those out at a different time, working out a few designs is complicated enough while investing a lot of energy into surface pattern.  Making only five or six designs is a piece of advice that James Hake always strains to me every time I meet him, so this time I am going to listen.

So only the following things made it to the final list:

• Mug
• Bowl
• Jug
• Platter
• Tyg
• Pancheon 

I also want pots with a a large Surface are to decorate, whether that be inside or outside of the pot.  Though decoration for interior and exterior would have to be done differently.  I also have to take into account when designing the maximum dimensions of my kiln, with the workable areas being 36cm (14") diameter and 32cm (12.5") height. I had previously thought they were 30 by 30 but just a touch bigger, turns out a touch is quite a few centimetres.

I feel that maybe there sure be something smaller still to fill up any gaps but they will have to be made from slabs, and really be for practising the surface pattern.

Bowls

When I first started with the ideas of bowls, I thought about using a very low wide bowl to decorate on the inside but half way through I started thinking about decorating the outside instead and what different forms that could come from that.  On a few of the designs I took half of the drawing and made it into a cut away section to imagine the thickness of the pot and the foot ring.

Rough Workings for designing a Bowl

The two main drawings I liked after talking to my wife where a very wide bowl with a small foot ring and one that is chunkier with a a foot ring that would have to be carved out of a mass of clay to work.  Though I like both of these, I realise that for standard ware of something that is going to be made a lot a carved foot ring probably isn't the best solution.

Roughing out proportions for Bowls

Not happy with these but erased them so many times, will have to work on them a bit more to get them like the sketches and working out the dimensions so then they have those nice lines they had.  The bottom one just needs a bit more flaring out  at the top, but the top one needs redrawing completely.  I might blow it up with the printer and try that way.

You have to consider the "wheat biscuit principle" which has two factors: 

1. being able to fit four wheat biscuits comfortably in the bowl (dimensions of the well known brand being 4" by 2" by 1/2")
2. the milk to cereal ratio in the bowl. It is a very complicated one I don't understand that was added by my mother.

I don't think a wide shallow bowl would fit either of these factors

Cups

I worked up a sheet for the cups, but cups are what I struggle to design the most and found most of my ideas were contrived.  I also want to design a cup that you couldn't just make in a one part slip casting mould, there are a number of ways to achieve it by undercutting and such but the easiest is to flip the form over and put the opening where the foot would be on a one part mould.

Roughing out proportions for Cups (handle designs need doing)

I am not sure of the proportions of these and will need to see them after being thrown on the wheel before I change what is happening, there is just something about them that doesn't sit right.  I am more inclined to choose the one on the let as I am more likely to be able to squeeze three layers into the kiln, with 12cm tall I simply wouldn't be able to.

Pancheon

When I think Pancheon, I do think of Paul Jessop, I wish I had paid better attention when I visited Barrington Pottery back in September to gain more of a sense of his wonderful Pancheons.  So researching these they are supposed to be wide and not very deep, my concern is that I can't fire them wide enough in my kiln to give them justice.

Roughing out proportions for Pancheon

I am not entirely sure which design would work best, I am inclined towards the top design as it would seem wider for not being as tall.  Though on the other hand because of some Northern attitude I feel inside you want the largest volume possible, not convinced this is the right attitude so will make both and see what comes out of it. While writing this I checked the measurements of my kiln and could take them up to 36cm (14") wide, which means I can add on that extra width, but I will have to check a

Jugs

I borrowed Bernard Rackham's Mediaeval Potsfrom the library and read through it once and looked through all the pictures numerous times and all I could think when I looked at all the the Jugs was Doug Fitch, every jug in that book I seem to have seen made by Doug at some point.

Surrey Jug from Bernard Rackham's Mediaeval Pots

I do like this form and I feel that I could achieve this after a few attempts, I feel a bit rusty after having not thrown for a few weeks, but I am throwing this week no matter what as I am teaching  Thursday afternoon.  It is a very pleasing form, one that caught my eye instantly as I flicked through the pages.

York type Baluster Jug from Bernard Rackham's Medieval Pots

I would love to throw some Baluster jugs but would take me a bit more practise and would mean stretching myself a bit more, but I am interested in the challenge and will give a really big surface to decorate, I know how to slip them, I will just need to practise the decoration thoroughly with all the curves these jugs provide.

Trying to Learn the form of a Baluster.

I doodled through some roughs for the Baluster form, it is going to be an interesting process designing all the curves, where they fit together with should, belly and foot, but actually throwing what I design is going to be interesting with it being such a tall slender form.

Tyg

I saw my first Tyg whilst at the Harris Museum in Preston during my repeat second year when we were looking at Pottery that had been designed for the Preston Guild.  They were highly decorated covered with inscriptions and poems that I didn't pay as much attention to as I should have.  I remember them talking about the traditions of communal drinking before Preston became Teetotalin the 19th century.

The other time I have really seen these are Paul Jessop's Wassail Cups, unlike Barrington Court I don't know of any nearby apple orchards where they celebrate and hold a festival to give back to the orchard. (My house is supposed to have been built on an apple orchard, which is why there isn't clay close to the surface like there are on neighbouring roads.)

I made some not very good versions in stoneware and never really glazed them, or did anything with them, they are still sat on my table with other small bits of biscuit pottery inside.  Tyg's aren't used day to day but still they are something I want to make from time to time even though I am not convinced they will be commercially viable but I want to be able to write verse on these.

Tyg from Bernard Rackham's Mediaeval Pots

I have yet to do a design for the Tyg, as I want to play around with the idea a little bit more.


Platter

For my platter form, as much as I can throw something round, I really want to do a squared off dish more like this one by Ron Philbeck.  Though for a rectangular dish like that I would need a mould.

I doodled some designs just nothing concrete as I if I go done the rectangular dish approach I either have to source or make a mould.



To Finish

I must note I usually work in Pen whilst designing but I haven't ever designed before knowing that it would go out to such a large audience and that made me feel a little uncertain, as I will be judged how this develops once it is in clay, I was at my degree too but I cared very little while I was learning, I had been at university for 7 years over my different courses and just wanted it to end. 

Recently I have considered an MA, but can't really justify the cost and I don't like the idea of going back to UCLAN, if I did it would have to be something where I could play around with kiln firings like at Loughborough with their nice new anagama kiln. But with another little one on the way it would be stupid.

When I first considered designing this my thoughts where very much on the new Leach Pottery Standard ware,  but as I started to but pencil to paper I wanted to avoid the forms being too similar to them, but they seem to have leaned very close to Ron Philbeck instead with various forms and then Doug and Paul with their amazing pots too.

Coming next time, I am going to be doing a more on the surface pattern, trying to work things out with inks and some of the other materials I have around here.

540degrees C and Cooling

Kiln is going to be used a lot these next two weeks, kiln is cooling now, but will have to come back at lunch time to empty and fill the next load as it is still over 500C.  I am drying things as fast as I can but the kiln can't fit everything and I am trying to keep everything in date order.

The Mural getting towards half finished, but we are low on slip so we might have to pick up some more to finish the second half.

I have to also remake all my biscuit pieces that I used, vases, bowls, cups and tiles.  I also need to make more pint pots, but the Mural is priority right now.

As am writing this my little boy is pretending to drink from my Doug Fitch mug, and when my nephew comes over he always wants to drink from my Hannah McAndrew mug, it is a really nice mug, but feel like a giant if I drink from it myself.

Merry Christmas

Merry Christmas and a Happy New Year,  we are taking both weekends off and of course Christmas Eve, which is my busiest baking day of the year.  It has been a busy few weeks and I am gradually getting into the swing of things, but we have a long way to go.

We have a lot more activities in the New Year, we have a Kids and Clay club starting to get local children interested in Pottery.  There are still lots of Pottery Lessons Available, and if you come and visit us we can teach you to make an animal or throw your own personal breakfast bowl and mug.

Our big mugs have been popular so another batch of those have been thrown as well as a smaller mug that is made with the same style in mind.

 Our new shop sign over one of our two arches and on the pictures below you can see how the shop now looks inside.  With the cold weather things don't dry very fast in the shop and rarely become bone dry so they tend to dry out on my kitchen table at home for a day before being fired.  The walls are still quite bare but we promised some space to a young photographer who is interested in selling some of his photographs, large ones of course.  We also have some clocks etc that we are going to put up on the wall, I'm just doing a few more glaze tests.

On the wheel again

Well I have back at Uni this week, and I haven't really had time to sit down and make just one form as I have to throw everything I need for my show by this next Friday ideally so then I can glaze it and work on my display for the show as it all has to be set up by May 21st, once the show is set up I can spend a day at a time throwing the things I need to sell this summer.

I was so busy trimming and cleaning on Friday which was the only day we had the camera at Uni, it was just a couple of quick shots, I will try harder this next week to get the shots I want down to a T. As the University seems to have run out of stoneware I couldn't spend my time merely making big object, I do however have two different sorts of white stoneware clay from Valentine Clays I think it is the Arctic White and Porcelain White and have 25kgs if each

Three cereal bowls, I dropped the middle one and accidently destroyed it after this shot, this week it feels like I have done pairs of everything but the tea cup and I think I have 5 of those as I had thrown 7 and two of them weren't good enough so they went straight to the reclaim.
Small fruit bowl, I did throw quite a few of these large bowls and platters, the problem is even in the big kiln there is only so much space inbetween the props on each shelf, especially as the shelves are the same size as the small gas kiln, you can just fit 4 towers if them in.
Just a few mugs, I liked the way these turned out, still need a lot more practice with handles, I think as soon as I get time I will have to throw a cylinder this size and attach as many handles as I can to it, I managed the handles on my tea cups easily as I don't feel as if I am going to drop them every time I pick them up, but with these mug I just can't get a comfortable grip on them.

Thankfully I can use the University's facilities until the degree show is finished, so I will be ordering more clay and getting to work big time, no more experimenting for a while, just getting my forms down and done.

Finally the time is here

The time has finally come, today I unloaded the kiln, I underestimated how long this would take me, especially with taking lots of pictures added in to the mix.

The technician had already moved all the pieces that weren't mine from the top shelves which helped speed things up. But I basically emptied the kiln myself apart from the top level, it is really satisfying doing so much for this firing myself.


This is all a large portion of what came out as it was hard to get everything in one shot as there was so much. I had lots of questions as emptied, the most common of which was "what did you do to make the different colours?" Well the blue is Cobalt Carbonate and the red/brown is Iron oxide, the speckles are because of the lack of oxygen in the kiln as it fires.

I had three ruined pots today, two were because of clay/bat wash falling into the bowl such as this above, it has fused with the glaze and the pot itself.


The third pot that was broken had split through the base, I have been told that there wasn't enough compression when I was forming the base, but that bit has already been covered in my latest tuition. For such a large kiln I don't think a failure of 3 pots is so bad at my stage, as I had a firing last year where I lost every pot places in the kiln.

One of my soup bowls and large mugs, this was my favourite large mug from the firing, and I did it after tuition from Kevin Millward, I just need to go back to the wheel and make a good couple of dozen of these so then I have some to choose from for my final show, still need more practice with the handles.


Some of the different size mugs/teacups I have been working on over the last few weeks, still trying to decide which size I want for my farmers market range.


Looking for some concept shots to go on my business cards / on various design sites that I am planning on joining over the next few weeks such as Design Initiatives.


Just trying to create some interesting shapes, colours and tones

These are what the tea light holders look like right now, all grouped together showing that scale that sometimes pots need an object to show scale.
This is my favourite item from the firing, it has just the right blue to green ratio on the cobalt and the textures just seem to have run slightly, it is such an interesting pot up close. I have actually brought it home to show people as an example of my work.


I have a slight oversight on the platters I forgot to take some overall shots of them and I only have detailed shots, so I will get some more photos on Thursday. I do have plenty more photos to upload and talk about later.

Joseph

Whats in a mark?

I made a plaster mark for my mug handles a few weeks ago, just something plain and simple. I have a mark coming from America from a company called Clay Stamps I am getting one with my mark on and another with a bobble head red fox for my wife's work. When they arrive I will get some pictures of them and maybe some of Anthea's work too. My mark is simply my initials as I feel the same about marking pots as I do about marking paintings, the mark should try to be as unobtrusive as possible and a full signature is too much like ego.


These are three of the four mug designs I threw to go with my bowls, not happy with these. I threw one today which is a lot shorter and seems to fit the family a little better. I really need to get better at these handles as they just aren't seeming to sit right with me, but I don't know the minimum thickness of handles to go on mugs of any size, looks like a day of pulling handles is going to be coming up in the next month.

These are the bowls from the 12 before 12 challenge I put handles on all of them, they are extruded coils, eventually I would like to roll them out by hand but there is never enough room in the clay room when I am working on these, whenever I am throwing the place is dead, I want to make handles and I have all the second year students watching me. the biscuit ware on the top shelf is all mine from before Christmas and is ever so patiently waiting for me to get some glazing done, especially as another kiln of biscuit ware came out today and now I filled not only my space for work but Anthea's too and she isn't pleased as her foxes are now surrounded by stacks of bowls and mugs.


Isn't it surprising what you find on the camera when you get home, I left my camera on the wheel next to me and Anthea picked it up and started taking pictures of my work and hers and in fact all the pictures taken today are by her. What I didn't realise as she took photos was that she caught this shot of me looking awkward over such a small amount of clay, a mere 400 grams (about 0.9 pounds) I reduced the amount of clay to see if that worked better but I might just go back to around 500 grams.

These are the mugs I was working on two weeks ago, they are quite tall, but my handles haven't really done them any favours, far to thick and ugly. I wish I had had some lessons on pulling handles as it is a very hard skill to learn. Practise, Practise, Practise.



All the mugs were thrown with 1kg (or 2.2 pounds) of clay, the glazed piece is an example that I made last November showing how much better I am throwing now than I was a few months ago.

This week I am hoping to get some glazing done, but first I will have to make up a vat of glaze, also going to try and make some farmers market style mugs and possibly jugs.

12 Pots before 12 Noon

I decided to do Michael Kline's 12 pots before twelve noon challenge, unfortunately I didn't quite manage, as I didn't manage to start throwing until 11.10 so only managed to throw seven pots in the remaining time, and I even ended up throwing the one on the far right away.













I made it up by throwing 15 pots before one which isn't a very good rate but I hurt my back yesterday and after I had thrown the first seven my back pain started getting to me, I should have rested today but as I haven't managed to throw yet this week I wasn't going to give up the opportunity.
















working on a mug to go with this range which is what I was working on on the far right but I'm not happy with the how the design for the larger mugs translates