Pots Pots Pots

Here are a few pots from my backlog.

There are a lot of storage jars, cookie jars and various sorts of vases.  I am being experimental with the forms.

If you have any questions please ask.  .

This is perhaps one of my favourite pieces from all the firings

A new day a new Attittude

Sleep really does the mind good, I'm so glad that it does. As it is now technically my holidays I should be doing paperwork for the next two weeks, I do have a wheel at home but the kiln I have isn't connected to the electric supply so I can't even bisque my work. I will probably try and throw one day while I am off I only have a limited supply of clay right now, mainly terracotta which is a bit useless for a stoneware potter. hopefully I will find some time to paint whilst my little boy is at nursery one day, I have some new paints so there is no excuse, even if I just end up painting a picture of one of my bowls with lemons in



These are some close ups of my platters, I love how the iron speckles break apart the broad strokes.



This is the workshop I work in at University, as you can see it is quite cramped, especially when we have had up to 15 people working in here at any given time, so I tend to wedge together as much clay as I think I will need for the morning and then get on with it, same for the afternoon. I started making platters again last week as you can see here, as my mark finally arrived last Wednesday after many problems with Parcel Force who kept trying to deliver my order to a place in Poulton which is the next town over which has a similar street name but not the same post code or town name.


Here is an impression of my mark, it works much better on leather hard clay and forms a really crisp image, I love it. Anthea's stamp is a cute little fox which is the same as the logo on our website red fox pottery.

Finally the time is here

The time has finally come, today I unloaded the kiln, I underestimated how long this would take me, especially with taking lots of pictures added in to the mix.

The technician had already moved all the pieces that weren't mine from the top shelves which helped speed things up. But I basically emptied the kiln myself apart from the top level, it is really satisfying doing so much for this firing myself.


This is all a large portion of what came out as it was hard to get everything in one shot as there was so much. I had lots of questions as emptied, the most common of which was "what did you do to make the different colours?" Well the blue is Cobalt Carbonate and the red/brown is Iron oxide, the speckles are because of the lack of oxygen in the kiln as it fires.

I had three ruined pots today, two were because of clay/bat wash falling into the bowl such as this above, it has fused with the glaze and the pot itself.


The third pot that was broken had split through the base, I have been told that there wasn't enough compression when I was forming the base, but that bit has already been covered in my latest tuition. For such a large kiln I don't think a failure of 3 pots is so bad at my stage, as I had a firing last year where I lost every pot places in the kiln.

One of my soup bowls and large mugs, this was my favourite large mug from the firing, and I did it after tuition from Kevin Millward, I just need to go back to the wheel and make a good couple of dozen of these so then I have some to choose from for my final show, still need more practice with the handles.


Some of the different size mugs/teacups I have been working on over the last few weeks, still trying to decide which size I want for my farmers market range.


Looking for some concept shots to go on my business cards / on various design sites that I am planning on joining over the next few weeks such as Design Initiatives.


Just trying to create some interesting shapes, colours and tones

These are what the tea light holders look like right now, all grouped together showing that scale that sometimes pots need an object to show scale.
This is my favourite item from the firing, it has just the right blue to green ratio on the cobalt and the textures just seem to have run slightly, it is such an interesting pot up close. I have actually brought it home to show people as an example of my work.


I have a slight oversight on the platters I forgot to take some overall shots of them and I only have detailed shots, so I will get some more photos on Thursday. I do have plenty more photos to upload and talk about later.

Joseph